{"id":244,"date":"2024-03-11T08:48:11","date_gmt":"2024-03-11T08:48:11","guid":{"rendered":"https:\/\/tubidy.fm\/blog\/?p=244"},"modified":"2024-03-11T08:48:12","modified_gmt":"2024-03-11T08:48:12","slug":"kim-gordon-the-collective","status":"publish","type":"post","link":"https:\/\/tubidy.fm\/blog\/kim-gordon-the-collective\/","title":{"rendered":"Kim Gordon: The Collective"},"content":{"rendered":"\n<p>Kim Gordon, the iconic bassist and vocalist, has always been synonymous with coolness. Her distinctive voice, boundary-pushing bass playing, and fusion of feminism and art-school sensibilities have shaped the landscape of rock &amp; roll. Now, with her second post-Sonic Youth solo album, <em>The Collective<\/em>, Gordon continues her artistic exploration.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Album Overview<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Title<\/strong>: <em>The Collective<\/em><\/li>\n\n\n\n<li><strong>Release Date<\/strong>: March 8, 2024 (Matador Records)<\/li>\n\n\n\n<li><strong>Genre<\/strong>: A captivating blend of industrial trap, post-punk, and electronic experimentation<\/li>\n\n\n\n<li><strong>Producer<\/strong>: Collaborating once again with Justin Raisen, known for his work with artists like Angel Olsen and Charli XCX<\/li>\n\n\n\n<li><strong>Themes<\/strong>: Chaos, masculinity, acid trips, and personal reflections<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Musical Direction<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>The Collective<\/em> builds upon Gordon&#8217;s previous solo effort, <em>No Home Record<\/em> (2019), which was hailed for its modernity and fierce energy.<\/li>\n\n\n\n<li>The single <strong>&#8220;Bye Bye&#8221;<\/strong> stands out, weaving a holiday packing list into grinding industrial trap beats. Gordon pays homage to her late brother, Keller, in this poignant track.<\/li>\n\n\n\n<li>Other notable songs include <strong>&#8220;I\u2019m a Man&#8221;<\/strong> and <strong>&#8220;Psychedelic Orgasm&#8221;<\/strong>, which delve into themes of masculinity and altered states of consciousness.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Gordon&#8217;s Artistic Vision<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Gordon&#8217;s spiky, staccato vocal delivery remains a signature, but on <em>The Collective<\/em>, it occasionally battles with distortion and cacophony.<\/li>\n\n\n\n<li>The album oscillates between tension and torpor, capturing the edge of chaos. However, some tracks, like <strong>&#8220;Shelf Warmer&#8221;<\/strong>, offer a brief respite from the intensity.<\/li>\n\n\n\n<li>As an artist who thrives on risk-taking, Gordon occasionally teeters on the edge, reminding us that creativity often involves pushing boundaries.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Kim Gordon, the iconic bassist and vocalist, has always been synonymous with coolness. Her distinctive voice, boundary-pushing bass playing, and fusion of feminism and art-school sensibilities have shaped the landscape of rock &amp; roll. Now, with her second post-Sonic Youth solo album, The Collective, Gordon continues her artistic exploration. Album Overview Musical Direction Gordon&#8217;s Artistic [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":245,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[433,427,432,431,429,430,198,426,428,425],"class_list":["post-244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-acid-trips","tag-electronic","tag-industrial-trap","tag-justin-raisen","tag-kim-gordon","tag-masculinity","tag-music","tag-post-punk","tag-solo-album","tag-sonic-youth"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/posts\/244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/comments?post=244"}],"version-history":[{"count":1,"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/posts\/244\/revisions"}],"predecessor-version":[{"id":246,"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/posts\/244\/revisions\/246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/media\/245"}],"wp:attachment":[{"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/media?parent=244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/categories?post=244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tubidy.fm\/blog\/wp-json\/wp\/v2\/tags?post=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}